![]() ![]() Given font naming can be a little confusing, the following definitions will be used for this tutorial.Detailed information on naming conventions can be found at Fontforge, Microsoft, Adobe. This tutorial is shown on a Windows 10 computer with Fontforge version 03142020. It’s a free font for personal and commercial use with an open source license. ![]() The font used in this tutorial is called Linux Libertine. You can download Fontforge for Windows, Mac, or Linux from here. Finally, I’ll provide tips on why it may not be working for you.Next, we’ll generate our re-named font.Then we’ll change the font name and review error messages.From here, we’ll open Fontforge and select a font file.We’ll start by defining terms and discussing the reasons why you may want to change a font’s name. ![]() However, you can also make the process even more granular and make decisions about specific parts of the base letters (such as the 'n' and 'o') for all styles together.ĭepending on the size and composition of the family you are planning, you may find that it saves time to make interpolatable instances of glyphs, not only so you can interpolate intermediate styles, but to aid making design choices about those typographic variables that shift across the members of a family.This tutorial will show you how to name font families, so that they all group together in your operating system’s font location, as well as in Adobe Illustrator and Adobe Photoshop font previews, using Fontforge. You may find that it is useful to complete one full set of test letters (such as "adhesion") for a regular version, and then to make "adhesion"s for the other styles next. But it is possible to complete a given design step for each style in order to check and be sure about the relationships between the styles, early in the process. It is of course impossible to create every style in a completely parallel manner. If you know from the start that you will have more than one font, you will save yourself time if you plan and build the font family systematically, and work on the styles somewhat in parallel, rather than completing one style at a time. But it is frequently more valuable to continue to improve the core set of glyphs than to add new ones. Often as a typeface is being made, it can be tempting to include more and more glyphs. ![]() Your goal could also be to extend an existing font, adding a few glyphs to make it work in one or more additional languages.Ĭertainly it is a good idea to make this choice deliberately, and to err on the side of including less rather than more. If you are doing work for a client, you may want to clarify which language or languages the font is is meant to support. You may decide you only want capitals, or that you want to include the glyphs found in the other fonts you use. If your project is self-initiated, then this choice is ultimately arbitrary. But a font can also have a few hundred or even thousands of glyphs. Glyph coverageĪ font is still a font even if it has only one glyph in it. Certainly for professional type designers, the latter two questions are usually the determining factors. But project scopes are often determined by the use you have for the collection or family of fonts, or, still further, by the needs of your client. The scope of the project can be determined exclusively by your ambition and your amount of free time. While there are reasons that typical pattens in families exist, you may find you want a very different kind of grouping. regular, semi flourished, flourished flourished very flourished, extreme flourished.narrow regular, condensed, wide and extra wide.regular, condensed, bold and bold condensed.thin, light, book, regular, semi bold, bold, extra bold, heavy, black.regular, bold, italic, and a bold italic.Now that you have a sense of the variables that a font can have, you may want decide whether your project will have only one font, if it will be a collection of more than one related fonts, if it will be a (now traditional) four-style type family, or if it will be something even larger. ![]()
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